CREATE AN ACCOUNT WITH TRIBECA

Creating an account with Tribecafilm.com gives you access to more features and services, like our weekly newsletter and other special features just for the film community.

ALREADY HAVE AN ACCOUNT?

Sign in via Facebook

SIGN IN

close
Forgot your password?
Close
Close
SEARCH

BECOME A TRIBECA INSIDER

Sign up to access information about new releases before anyone else. By joining you’re entered for a chance to
win two tickets to a red carpet premiere
at the 2015 Tribeca Film Festival.

By clicking the Sign Up button, you agree that we may send you Tribeca Film emails at the address provided above from time to time on behalf of Tribeca Enterprises (about events, promotions and activities). You can unsubscribe at any time by following the instructions in any email you receive.
X
DOCUMENTARY FEATURE | 62 MIN | 2008

HIDDEN IN PLAIN SIGHT

Large_film_16736556_photo1
Large_film_16736556_photo2
Large_film_16736556_photo3
Large_film_16736556_photo4
Large_film_16736556_photo5

Part of the Progressive Landscapes program.

Mark Street's films explore urban spaces from a variety of genre perspectives-experimental shorts (Fulton Fish Market, TFF '04), improvisational narratives (Rockaway, TFF '05), and personal documentaries (A Year, 'TFF 07). In Hidden in Plain Sight, Street travels to four different continents-Africa, Asia, Europe, and South America. Searching in urban landscapes (Dakar, Hanoi, Marseille, and Santiago), he uncovers traces of the leftist political figures Ho Chi Minh and Salvador Allende. Street intersperses his own filmed images of these locales with captions containing historical details and writings by political and literary figures, with particular ruminations on Ho Chi Minh's trip by boat to Dakar and Marseille in 1911. Hidden is a meditation on perception. In completely different stylistic fashion from John Gianvito's Profit motive and the whispering wind, Street structures his film in the first-person, placing himself squarely in the center of the journey. He takes refuge behind the lens, which observes the smallest details and rituals in these locales, and he intercuts scenes of daily life between the four continents. Throughout the film, he incorporates captions that reveal his own tentative emotional and physical relationship to his surrounding environments. These visual observations are underscored with a richly textured sound design, incorporating an amalgam of local urban noises, a soulful original score, and voices from the past including Allende's radio speech as his presidential palace was being attacked in 1973. Whereas Street's previous film A Year explored his place within his own nuclear family, Hidden in Plain Sight is this filmmaker's poignant meditation on discovering his own position within a more global historical and geographical continuum.

– Jon Gartenberg

Film Information
Year: 2008
Length: 62 minutes
Language: English
Country: USA
Premiere: New York
Cast & Credits
Producer: Mark Street
Editor: Mark Street
Director of Photography: Mark Street
Music: Jane Scarpantoni, Guy Yarden, Morton Feldman
Sound Designer: Tom Myers
Sound Mix: Bill Seery, Mercer Media
Titles: Cynthia Madansky
About the Director(s)

Mark Street has shown work in the New York Museum of Modern Art's Cineprobe series, Anthology Film Archives, Millennium, and the San Francisco Cinematheque. His films have wo prizes at film festivals from Ann Arbor to Athens, and he has received grants from groups like the Film Arts Foundation and the New York State Arts Council. Street's films include a graphic silent film for three projectors (Triptych, 1992), a diary film (Lilting Towards Chaos, 1991), a travel documentary (Excursions, 1994), and a reworking of pornographic footage (Blue Movie, 1994). His experimental narrative Rockaway (2005) had its world premiere at the 2005 Tribeca Film Festival. He is Assistant Professor of Film in the Visual Art Department at Fordham University.

COMMENTS – JOIN THE CONVERSATION

© 2014 Tribeca Enterprises LLC | Privacy Policy | Terms & Conditions