Creating an account with gives you access to more features and services, like our weekly newsletter and other special features just for the film community.



Sign up to access information about new releases before anyone else. By joining you’re entered for a chance to
win two tickets to a red carpet premiere
at the 2015 Tribeca Film Festival.

By clicking the Sign Up button, you agree that we may send you Tribeca Film emails at the address provided above from time to time on behalf of Tribeca Enterprises (about events, promotions and activities). You can unsubscribe at any time by following the instructions in any email you receive.



When director Faramarz K-Rahber first met him, Brian was a newly minted master puppeteer happily immersed in the Brisbane, Australia goth scene. But in 2000, Brian's world was upended: While performing at a puppet festival in Lahore, Pakistan, Brian met and fell head over heels for Amber, a young Muslim woman from a highly traditional Pakistani family. Though it would be more than two years before he laid eyes on her again, Brian grabbed destiny with both hands, converting to Islam, changing his name to Aamir, and plunging himself into the complicated rituals that govern courtship in Pakistan. As Donkey in Lahore shows, however, marrying Amber is the easy part. K-Rahber's vérité-style documentary picks up speed and suspense as negotiations for Amber's hand give way to Brian's long-distance pleas for help filling out her immigration visa(a process more byzantine, indeed, than anything else hundreds of years of tradition has devised). And as he waits-and waits-to be reunited with his bride, Brian comes face-to-webcammed-face with his romance's most daunting hurdle of all: Amber herself. Where Brian is a peripatetically employed misfit desperate for acceptance, Amber is undemonstrative and cloistered and not entirely sure she's ready to fling herself thousands of miles away from the bosom of her family. Though probing of both his principals, K-Rahber reserves judgment on their quixotic courtship, leaving his commentary to provide context and allowing this post-globalization Romeo and Juliet tale to play itself out on its own. Perhaps if Shakespeare's young lovers had shown as much patience as Brian and Amber, they too would have met a happy ending after all.

Film Information
Year: 2007
Length: 117 minutes
Language: English, Urdu, Arabic, Punjabi
Country: Australia
Premiere: North American
Cast & Credits
Principal Cast: Aamir (Brian), Amber
Line Producer: Axel Grigor
Editor: Axel Grigor
Executive Producer: Mark Chapman
Director of Photography: Faramarz K-Rahber
Composer: Colin Webber
Sound Design: Colin Weber, David White
About the Director(s)

Faramarz K-Rahber (b. 1968, Tehran) won numerous awards for his debut film Fahimeh's Story (2004). He is an awardwinning graduate of Griffith University (Queensland College of Art) in Australia. He has worked across many roles in the Australian documentary industry in the last seven years. His focus on directing, mixed with a strong background in cinematography, has helped shape his insightful, observational style of filmmaking. His specialized cross-cultural knowledge allows him to shape films of religious, cultural, and social sensitivity. Faramarz's films reflect the fundamental essence of humanity through intimate observation while avoiding controversy or inflaming contentious issues.


© 2015 Tribeca Enterprises LLC | Privacy Policy | Terms & Conditions