Creating an account with gives you access to more features and services, like our weekly newsletter and other special features just for the film community.



Sign up to access information about new releases before anyone else. By joining you’re entered for a chance to
win two tickets to a red carpet premiere
at the 2015 Tribeca Film Festival.

By clicking the Sign Up button, you agree that we may send you Tribeca Film emails at the address provided above from time to time on behalf of Tribeca Enterprises (about events, promotions and activities). You can unsubscribe at any time by following the instructions in any email you receive.



Young, energetic and restless, Bahta dreams of fleeing to Europe to escape the restrictions of his life in Tunisia. At home his macho father offers nothing but criticism and when he's out with his breakdancing peers the police seem to track their every move. It's 2003; things come to a head when Iraq is invaded by the American-led coalition forces, and Bahta's European mirage evaporates. Worse still, his love life is on the rocks and, going further out on a limb with his rebellious activities, he quickly gets into serious trouble with the police. He becomes the perfect target for a fundamentalist group, which sets out to brainwash him. The procedures their leader adopts to indoctrinate Bahta into the “noble” cause are a trenchant description of the “making of” a suicide bomber. The film's title has a double meaning, since Bahta's story is interwoven with a film claiming to be the “making of” the production of that very film. And in this “documentary” the actor portraying Bahta is at loggerheads with the filmmaker (played by veteran director Nouri Bouzid himself) because he'd accepted the idea of playing the part of a breakdancer without seeing a complete script, but now that he realizes the full implications of his character's behavior, he's increasingly alarmed. This courageously outspoken film echoes some of the themes of The Yacoubian Building, shown at the 2006 Tribeca Film Festival to great acclaim; both films furnish encouraging proof that Arab artists refuse to be silent, and recognize that fundamentalism isn't only a problem for the West. Winner of the Gold Tanit as Best Film at the Carthage Film Festival.

Film Information
Year: 2006
Length: 120 minutes
Language: Arabic
Country: Morocco, Tunisia
Premiere: International
Cast & Credits
About the Director(s)

NOURI BOUZID was born in 1945 in Sfax, Tunisia. He studied cinema at the INSAS in Brussels from 1968 to 1972, and made a short film, Duel. He also worked on André Delvaux's Rendezvous à Bray. His film career was interrupted when he was imprisoned from 1973 through 1979, for membership in GEAST (Groupe d'Etudes et d'Action Socialiste Tunisien). In 1992, he was awarded France's Knight of Arts and Letters, and six years later won the Presidential Prize of the Cinema in Tunisia. He now teaches at a cinema school, the EDAC, which he founded in 1994. Bouzid also writes poetry and has published a collection, Sinners.


© 2015 Tribeca Enterprises LLC | Privacy Policy | Terms & Conditions