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DOCUMENTARY FEATURE | 86 MIN | 2008

SECRECY

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The process by which our government classifies documents is something that most Americans have little knowledge about. The models that exist for how and why a document is determined to be "secret" have been in existence since the end of World War II. With each year, the volume of documents that are classified outweighs the circulation of information that is open and available to us. In a single recent year, the United States government classified about five times the number of pages added to the Library of Congress at a cost of about eight billion dollars. To many in the intelligence community, the absolute need for this system of classification is an essential element of our country's ability to fight terrorism around the world. But is this level of secrecy impeding the function of national security or helping? FBI agents in the field were unable to access information about the 9/11 bombers because the intelligence was classified at too high a level. Is this system in need of a massive overhaul? Secrecy, a powerful and provocative new film by Robb Moss and Peter Galison, examines the complexities and layers of our government's obsession with secrecy and the effects it has had on individuals and on our government. Using original animation, a powerful score, and expertly edited interviews with both proponents and detractors of our government's policies, Secrecy takes us deep into the dark shadows of this process, shedding light on the implications of reasons behind the need to classify a document as secret-and also asking who polices the state's ability to do so.

Film Information
Year: 2008
Length: 86 minutes
Language: English
Country: USA
Premiere: New York
Cast & Credits
Editor/Co-Producer: Chyld King
Composer: John Kusiak
Director of Photography: Steven McCarthy, Austin de Besche
Sound Designer: Coll Anderson
Associate Producers: Caitlin Boyle, Emily Jansen, Ann S. Kim, Beth Sternheimer, Tricia Wilk
About the Director(s)

Robb Moss received a 2004 Independent Spirit Award nomination for The Same River Twice, which premiered at Sundance. His other films have shown at the Telluride Film Festival, Lincoln Center, MoMA, and other venues from Amsterdam to Ankara. As a cinematographer, he has shot films in Ethiopia, Hungary, Japan, Liberia, Mexico, and Turkey. Moss has taught filmmaking at Harvard University for the past 20 years. Peter Galison teaches the history of science and physics at Harvard University. Among his awards are a MacArthur fellowship, a Pfizer Award for his book Image and Logic, and the Max Planck and Humboldt Stiftung Prize. His books include How Experiments End, Einstein's Clocks, Poincaré's Maps, and most recently Objectivity. His film on the moral-political debates over the H-bomb, Ultimate Weapon: The H-bomb Dilemma has been shown frequently on The History Channel.

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