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Two powerfully idiosyncratic female artists-director Sally Potter and actress Joan Allen-join together in this summation of the greatest conflicts of our generation-religious, political and sexual-as played out within a passionate love affair between an American woman and a Lebanese man. "She" (Allen) is a brilliant scientist laboring through a dull marriage and an even duller dinner party. Catching the eye of "He" (Simon Abkarian), however, changes everything; a former surgeon reduced to working as a cook, He turns on the charm for She, and She for He. As their affair moves from dinner party to bedroom, and from London to New York, Beirut to Havana, each of them comes to understand what they have in common, and-more importantly-what they never will. Potter draws on several decades (and even centuries) of poetry, literature, and cinema for her narrative: the essay-films of Derek Jarman and Peter Greenaway, the plays of Tony Kushner, the novels of James Joyce ("Yes" is the last word of Ulysses). Most of the monologues are written in poetic rhyming couplets, à la Auden. Framing a whirl of poetic, philosophical, and political ideas through the lightning rod of sexuality, Yes affirms the eyes, with gorgeous sets and jet-setting locales; the ears, with a soundtrack boasting Tom Waits, Kronos Quartet, and Philip Glass, and the heart, with the performances of Allen and Abkarian giving the film its passion. As She, Allen lights the screen: radiant, sensual, and cerebral, a heroine culled from the greatest works of art, yet completely of the modern world.
Film Information
Year: 2004
Length: 100 minutes
Language: English
Country: U.K.
Premiere: New York
Cast & Credits
Special Note

About the Director(s)
Sally Potter's filmmaking career began when she joined the London Filmmakers Co-op and started making experimental short films. Potter went on to become an award-winning performance artist and theater director, with shows such as Mounting, Death and the Maiden, and Berlin. She was also a member of several music bands including FIG and The Film Music Orchestra. Potter returned to filmmaking with her short film Thriller, her first feature film, The Gold Diggers, and a documentary series for Channel 4, Tears, Laughter, Fears and Rage. The internationally acclaimed Orlando (1992) brought Potter's work to a wide audience, and earned two Academy Award nominations and won more than 25 international awards. Her next film, The Tango Lesson, received numerous accolades including Best Film nominations from BAFTA and the U.S. National Board of Review.


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